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project partners 
La Briqueterie – Centre de Développement Chorégraphique du Val-de-Marne (FR)

Conseil General du Val-de-Marne – MAC VAL Musée d’art contemporain (FR)
Comune di Bassano del Grappa (IT)
Arte Sella (IT)
Fondazione Fitzcarraldo (IT)
Università Ca’ Foscari Venezia (IT)
Tanec Praha (CZ)
Dance 4 (UK)
Stichting Dansateliers (NL)
Mercat de les Flors (ES)
Bundeskunsthalle (DE)


in cooperation with 
Prague City Gallery (CZ)
Boijmans Van Beuningen Boijmans Museum (NL)
Musei Civici di Bassano (IT)
Nottingham Museum Service (UK)
Paris III – La Sorbonne
Fondation Galeries Lafayette, Grand Paris (FR)


Dancing Museums is supported by the EU Creative Europe program. >




14 JUN 2020 - 19 JUN 2020 - PRAGUE WORKSHOP
How to be together when we can’t be together?
The international workshop in Prague How Can We Embody the Artwork and the Art Space, and How Does It Change Our Perception? has got a new subheading How to be together when we can’t be together? In response to the current situation marked by the COVID-19 pandemic, the workshop program has been transformed to allow for attendance without the necessity of travelling physically to Prague.
In her research, the artist Tereza Ondrová deals with the topic of tourism and how to “empty” the streets of the centre of Prague and “fill” the gallery space with people/visitors. The starting point is the “Royal Way” lining all six spaces of Prague City Gallery.
The five-day meeting invites participants to join the artist and the teams of Tanec Praha and Prague City Gallery to experience the transformation of the topic of tourism and the challenges of cooperation across all work roles within this project.
The topic of “how to be together” arises from not being able to be together physically. How do we collaborate and not just be in an online space? How do we get to know each other and discover? How do we ask questions and exceed boundaries and possibilities? How do we convey the customs, smells and tastes of our nation to all who cannot be here?
The workshop program consists of online and offline activities and invites participants to take part in the Shared Day, Audio Walk, Avatar Project, workshops, moderated discussions, working sessions and a partners’ meeting. The program also includes events for the public, such as video presentations, a summary of the discussions, etc. More information can be found here in the JOURNAL >.


© foto Dominik Žižka


DANCING MUSEUMS – The democracy of beings is an action research project (2018–2021) designed to support and build long-term collaboration between dance organizations, museums, universities and local communities, and to develop inspiring and long-lasting artistic and cultural programs that people in these communities are interested in getting involved in.


Tanec Praha’s partner for the Dancing Museums project is the Prague City Gallery and the selected artist is dancer and choreographer Tereza Ondrová.



about the project 
At this time of rapid change, there is an urgent need for professionalism, shared vocabulary, and a coherent conceptual framework that makes sense of the different ways in which viewers are involved. In DANCING MUSEUMS – The democracy of beings, individuals and organizations share, improve, develop and pass on the skills and knowledge needed to expand and deepen the connection and relationship with the audience. A practically led research group, composed of artists, dance organizations, museums and universities from eight countries, follows the new ways the presence of dance can offer an experience of art and cultural heritage, helping viewers and visitors engage both intellectually and spiritually. The knowledge and experience gained throughout the project will strengthen the organizations and artists involved with skills needed for the implementation of audience development projects well beyond the duration of the project.


The DANCING MUSEUMS – The democracy of beings project draws from the successful two-year project entitled Dancing Museums – Old Masters, New Traces (2015–2017). The project brought together five dance organizations and eight museums from five countries to explore new ways to engage viewers and emphasize the role of dance and live art in increasing our understanding of and engagement in art. The project is based on a relationship with the audience. This relationship has triggered the creative engagement of a wide and diverse intergenerational public (children, students, adults, seniors, people with disabilities, people from disadvantaged groups, researchers, staff of museums and dance venues).




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